the
Honeytree and Mike Warnke Interview

An
Exclusive Interview for Keystone by Don Gillespie
Honeytree
(Nancy Henigbaum) is a prolific songwriterand singer. Her fifth
Gospel album is about to be released. Mike Warnke, ex-Satanist
High Priest, has a powerful testimony of how Jesus changed his
life. During their recent joint tour they discussed contemporary
Christianity with Keystone.
KEYSTONE:
Nancy and Mike, you're both heavily involved in the contemporary
scene. Sometimes people outside that scene don't or can't quite
grasp what is happening. Tell us something about it.
HONEYTREE:
Well, there's a whole contemporary culture in the States; it might
be small, but it's there. '
MIKE: It's
powerful, too. You find that people in that subculture are super
committed because most of the people there have come out of another
subculture such as drugs, and I guess, like the word says, those
that have been forgiven much, love much. I think that has carried
on into the contemporary field, because most of the people there
really have a reason to love the Lord. That's not to say that
those who have been raised in the church don't love the Lord,
I think it's just a matter of intensity.
HONEYTREE:
There's an individuality to young Christians. They're realising,
just as we are, that in order to be Christians we don't have to
be just like people used to be, but we can find our own expressions.
It's a cultural expression.
MIKE: It keeps
the Lord current. Jesus was definitely a man of His time and I
believe Jesus is a man of my time and in order to be a Christian
I don't have to follow john Wesley, for example.
HONEYTREE:
Yes, but you can learn from and respect and honour John Wesley.
MIKE: Absolutely.
HONEYTREE:
And realise what he was doing and that he was a contemporary man
of his time.
MIKE: That's
right. The history and background of all we have done go to make
up what we do, but we don't have to live in the history. In order
to be an Aussie, you don't have to run around in a flop hat and
have been convicted of a crime and transported from England. That
all goes to make up your history and makes Australia what it is
today, but that's not what Australians are like now. Americans
used to wear three-cornered hats and run around with muskets shooting
at Englishmen, but we don't do that now. I think we've made two
mistakes. One is that some people are just too contemporary; they
want to take all the traditions that have kept the church alive
through the centuries and pitch them all out the window. !n other
words, throw the baby out with the dishwater.
HONEYTREE:
Bathwater, I think ...you don't put the baby in the dishwater.
MIKE: Depends
on how dirty it is!
HONEYTREE:
On, I see...
MIKE: "My
baby has gone down the drain hole...'=anyway, the other thing
is that the traditionalists say that unless we live in the past
we are not living holy. They say holiness is something from a
bygone era, because the world we live in today is so wicked that
nothing of this world could be holy; that you can't possibly be
related to this world and be holy.
HONEYTRE E: A good example is to say that rock music is of the
devil, and the only music that is sanctified came out of the thirties
or forties, or the revival that happened years ago. That's a prevalent
sentiment, but it doesn't really hurt us because the people we're
reaching aren't interested in that opinion anyway, so it makes
no difference.
MIKE: If you
came out with "L... Thank.... God.... for.... the.... Light....
House...." they'd just turnoff. The guys that
are singing "I Thank God for the Lighthouse" say, 'What's
the matter with you? Don't you know that the only way you can
sing for Jesus is to have four-part harmony and do it with a harpsichord?'
The people we're reaching don't hear those sort of comments because
they're not around to hear them.
HONEYTREE:
We also fellowship with a lot of Southern Gospel music people,
and we realise that they have their ministry and they're reaching
a certain part of the population we'd never be able to communicate
with. The other day we had a seminar about communications at church,
and a lady raised the question: How could she communicate with
young people? Did she have to dress as they did, and so on. The
conclusion we reached was that nobody had the responsibility to
communicate with everybody; you just had the responsibility to
communicate with who God wanted you to reach. He has enough people
around to communicate with different kinds of people. The interesting
thing is that when you are true to your own call, it spills over
into different places. Mike and I have a message for young people
our own age, yet I find the Lord uses me to minister to children
a lot, and many older people like my music. I didn't really write
anything for either of those groups, yet it somehow spills over
into those areas.
(Honeytree's
latest album, The Melodies In Me, will be released shortly. Mike
Warnke is also preparing for a new album, and he is currently
writing two books, one on contemporary music called 'Tis Blessed
To Boogie, and another titled Letters To Those Who Live On The
Edge, both to be released soon.)
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